The Candy House - BookWyrm francophone

334 pages

Langue : English

Publié 9 avril 2022 par Scribner.

ISBN :: 978-1-4767-1676-3

(2 critiques)

The Candy House opens with the staggeringly brilliant Bix Bouton, whose company, Mandala, is so successful that he is “one of those tech demi-gods with whom we’re all on a first name basis.” Bix is 40, with four kids, restless, desperate for a new idea, when he stumbles into a conversation group, mostly Columbia professors, one of whom is experimenting with downloading or “externalizing” memory. It’s 2010. Within a decade, Bix’s new technology, “Own Your Unconscious”—that allows you access to every memory you’ve ever had, and to share every memory in exchange for access to the memories of others—has seduced multitudes. But not everyone.

In spellbinding interlocking narratives, Egan spins out the consequences of Own Your Unconscious through the lives of multiple characters whose paths intersect over several decades. Intellectually dazzling, The Candy House is also extraordinarily moving, a testament to the tenacity and transcendence of human longing for real …

The Candy House opens with the staggeringly brilliant Bix Bouton, whose company, Mandala, is so successful that he is “one of those tech demi-gods with whom we’re all on a first name basis.” Bix is 40, with four kids, restless, desperate for a new idea, when he stumbles into a conversation group, mostly Columbia professors, one of whom is experimenting with downloading or “externalizing” memory. It’s 2010. Within a decade, Bix’s new technology, “Own Your Unconscious”—that allows you access to every memory you’ve ever had, and to share every memory in exchange for access to the memories of others—has seduced multitudes. But not everyone.

In spellbinding interlocking narratives, Egan spins out the consequences of Own Your Unconscious through the lives of multiple characters whose paths intersect over several decades. Intellectually dazzling, The Candy House is also extraordinarily moving, a testament to the tenacity and transcendence of human longing for real connection, love, family, privacy and redemption. In the world of Egan’s spectacular imagination, there are “counters” who track and exploit desires and there are “eluders,” those who understand the price of taking a bite of the Candy House. Egan introduces these characters in an astonishing array of narrative styles—from omniscient to first person plural to a duet of voices, an epistolary chapter and a chapter of tweets.

6 éditions

Jim Brown a publié une critique de The Candy House par Jennifer Egan

back and forth

Aucune note

As I read this, I couldn't decide whether I was willing to go along with the conceit or not. At moments I was hooked, at others I was almost annoyed. But eventually, I saw the book as a performance of a network of people and stories. In a way, it reminded me of what Bruno Latour says about writing (I think in Reassembling the Social, but I'm not 100% sure of that). I'm paraphrasing, but he suggests that a fair and accurate account of a network requires writing that is sort of like a network too, writing that resists the desire to fall into narrative. This book does some of that kind of work.

I also didn't realize it was a follow up/sequel of sorts, though you didn't need to read the first one to understand this one. I might go back to A Visit from The Goon Squad at …

As I read this, I couldn't decide whether I was willing to go along with the conceit or not. At moments I was hooked, at others I was almost annoyed. But eventually, I saw the book as a performance of a network of people and stories. In a way, it reminded me of what Bruno Latour says about writing (I think in Reassembling the Social, but I'm not 100% sure of that). I'm paraphrasing, but he suggests that a fair and accurate account of a network requires writing that is sort of like a network too, writing that resists the desire to fall into narrative. This book does some of that kind of work.

I also didn't realize it was a follow up/sequel of sorts, though you didn't need to read the first one to understand this one. I might go back to A Visit from The Goon Squad at some point.

Tyler Cipriani a publié une critique de The Candy House par Jennifer Egan

Magical realism meets surveillance capitalism

4 étoiles

Jennifer Egan’s “The Candy House” straddles the line between magical realism and sci-fi—and I am here for it.

Anthropologist Miranda Kane’s 1995 book, “Patterns of Affinity” lays bare exacting formulas for predicting human behavior. She could never have anticipated Bix Bouton seizing on these ideas to expand his surveillance capitalism juggernaut: “Mandala” (the novel’s answer to Meta/Facebook).

Later, in 2010, while fretting about the future of Mandala, Bouton infiltrates a college discussion group of Kline’s work. There he learns of experiments to externalize people’s memories into machines.

Bix uses the research as the inspiration for “Own Your Unconscious”—a way to relive your past (including everything you’d forgotten).

Later, Mandala introduces “The Collective”—a pool of memories users can tap at the cost of releasing their memories for others. The collective is a database searchable by geolocation and time—enter the date and place and watch events unfold through the eyes of any …

Jennifer Egan’s “The Candy House” straddles the line between magical realism and sci-fi—and I am here for it.

Anthropologist Miranda Kane’s 1995 book, “Patterns of Affinity” lays bare exacting formulas for predicting human behavior. She could never have anticipated Bix Bouton seizing on these ideas to expand his surveillance capitalism juggernaut: “Mandala” (the novel’s answer to Meta/Facebook).

Later, in 2010, while fretting about the future of Mandala, Bouton infiltrates a college discussion group of Kline’s work. There he learns of experiments to externalize people’s memories into machines.

Bix uses the research as the inspiration for “Own Your Unconscious”—a way to relive your past (including everything you’d forgotten).

Later, Mandala introduces “The Collective”—a pool of memories users can tap at the cost of releasing their memories for others. The collective is a database searchable by geolocation and time—enter the date and place and watch events unfold through the eyes of any user who’s uploaded their unconscious to the collective.

The novel is a collection of vignettes—memoirs of people connected to Bounton and Kline.

The world Egan builds is addictive and wonderous, but some stories fall flat. In particular, a second-person spy story that goes on way. too. long.

But the novel still has enough magnetic and beautiful moments to be worth your time.

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