From the New York Times bestselling author of Jonathan Strange & Mr. Norrell, an intoxicating, hypnotic new novel set in a dreamlike alternative reality.
Piranesi's house is no ordinary building; its rooms are infinite, its corridors endless, its walls are lined with thousands upon thousands of statues, each one different from all the others. Within the labyrinth of halls an ocean is imprisoned; waves thunder up staircases, rooms are flooded in an instant. But Piranesi is not afraid; he understands the tides as he understands the pattern of the labyrinth itself. He lives to explore the house.
There is one other person in the house--a man called The Other, who visits Piranesi twice a week and asks for help with research into A Great and Secret Knowledge. But as Piranesi explores, evidence emerges of another person, and a terrible truth begins to unravel, revealing a world beyond the one …
From the New York Times bestselling author of Jonathan Strange & Mr. Norrell, an intoxicating, hypnotic new novel set in a dreamlike alternative reality.
Piranesi's house is no ordinary building; its rooms are infinite, its corridors endless, its walls are lined with thousands upon thousands of statues, each one different from all the others. Within the labyrinth of halls an ocean is imprisoned; waves thunder up staircases, rooms are flooded in an instant. But Piranesi is not afraid; he understands the tides as he understands the pattern of the labyrinth itself. He lives to explore the house.
There is one other person in the house--a man called The Other, who visits Piranesi twice a week and asks for help with research into A Great and Secret Knowledge. But as Piranesi explores, evidence emerges of another person, and a terrible truth begins to unravel, revealing a world beyond the one Piranesi has always known.
For readers of Neil Gaiman's The Ocean at the End of the Lane and fans of Madeline Miller's Circe, Piranesi introduces an astonishing new world, an infinite labyrinth full of startling images of surreal beauty, haunted by the tides and the clouds.
This was a lovely, interesting, engaging book. It was rammed with Narnia references that you simply wouldn't have noticed if you happened not to be familiar with Narnia, but which were huge fun if you were. Piranesi himself was likeable, and I rooted for him from the start, even as he started to understand that he hadn't always been a person he could like.
But so many world-building questions were left completely unanswered!
Pas facile de vous faire le pitch sans trop en dire… c’est un roman très atypique et je vous voudrais pas vous en dévoiler trop. Je vais tâcher de me contenter de planter le décor puis de vous laisser, si vous le souhaitez, découvrir la suite par vous-même.
Piranèse, c’est le nom du héros de notre roman. Il vit de pêche et de débrouille, tel Robinson sur son île… sauf que Piranèse n’est pas sur une île mais dans un immense palais. Monumental. Et infini. Ou, en tout cas, Piranèse ne lui en connait pas de fin, et il ne semble rien connaître d’extérieur au Palais. Il sait juste que, de certains salles, on peut contempler le ciel et les étoiles. Malgré son immensité et sa complexité, Piranèse connait le Palais comme sa poche, à force de l’avoir silloné. Les salles sont immenses, peuplées de gigantesques sculptures, reliées par des …
Pas facile de vous faire le pitch sans trop en dire… c’est un roman très atypique et je vous voudrais pas vous en dévoiler trop. Je vais tâcher de me contenter de planter le décor puis de vous laisser, si vous le souhaitez, découvrir la suite par vous-même.
Piranèse, c’est le nom du héros de notre roman. Il vit de pêche et de débrouille, tel Robinson sur son île… sauf que Piranèse n’est pas sur une île mais dans un immense palais. Monumental. Et infini. Ou, en tout cas, Piranèse ne lui en connait pas de fin, et il ne semble rien connaître d’extérieur au Palais. Il sait juste que, de certains salles, on peut contempler le ciel et les étoiles. Malgré son immensité et sa complexité, Piranèse connait le Palais comme sa poche, à force de l’avoir silloné. Les salles sont immenses, peuplées de gigantesques sculptures, reliées par des couloirs et des escaliers monumentaux. Et puis… il y a l’océan aussi, et ses marées qui pourraient être dangereuses s’il ne les connaissait pas si bien.
Piranèse n’est pas seul dans ce Palais. Il y a trouvé treize dépouilles, qu’il a nommé selon l’endroit et la façon dont il les a découvertes et dont il prend grand soin. Et puis, il y a « l’Autre ». Autant Piranèse est un naufragé, aux vêtements défraichis et raccommodés, autant l’autre est un explorateur, élégant et soigné. Piranèse ne le rencontre que deux jours par semaine, pour des entretiens de quelques heures tout au plus. Il essaie de l’aider dans ses travaux, des expériences qui semblent très importantes, en quête du « Grand savoir ».
Que cherche « l’Autre » ? Où est-t-il quand il n’est pas au Palais ? D’ailleurs, y a-t-il autre chose que la Palais dans ce Monde ? Et d’autres habitants ?
C’est très particulier (je le classerais volontiers dans les OLNI). Il n’y a que très peu d’action… et pourtant le suspens est là et c’est un page-turner. Piranèse est plus qu’un roman, c’est une découverte, un voyage onirique et poétique… mais c’est aussi une intrigue captivante et une histoire envoutante.
Lu en cinq jours. Difficile exercice que de le résumer, et il n'est pas certain que cela serve à grand chose. Piranesi vit et explore La Maison Éternelle, peuplées de Statues gigantesques et d'Oiseaux. Le livre est captivant sur son début, où il en dit peu sur le pourquoi et montre cette Maison.
J'ai reçu cette lecture à un moment où j'avais besoin d'évasion, de plonger un peu en moi. La Maison Éternelle a constitué tout à la fois un échappatoire, un lieu de méditation et de refuge. Une réalité à expérimenter plutôt qu'une énigme à déchiffrer.
L'histoire est originale, mais elle aurait mieux convenu à une nouvelle. Là, étirée sur 300 pages, ça traine en longueur, et le livre a fini par me faire l'effet d'être aussi vide et interminable que les pièces parcourues par le personnage principal.
I've been excited by Susanna Clarke's writing since I first picked up Jonathan Strange, and when I first heard this book was coming out, I was suddenly aware that I hadn't heard about her in a long while! Some Googling revealed that she'd been suffering from severe health issues for years now, and this book was the result of more years of hardship than I could fathom. I preordered it immediately, and read it the moment it arrived.
Wow. So different, so quiet, and so, so good.
I've read plenty of reviews that disparage the book (usually because they felt the plot was thin or easily deduced, or because the narration was too simple or unrelatable), but I enjoyed the hell out of it. I was surprised when reveals came, I was drawn into the narration and worldbuilding, and I found the narrator endearing, if a bit alien in perspective. …
I've been excited by Susanna Clarke's writing since I first picked up Jonathan Strange, and when I first heard this book was coming out, I was suddenly aware that I hadn't heard about her in a long while! Some Googling revealed that she'd been suffering from severe health issues for years now, and this book was the result of more years of hardship than I could fathom. I preordered it immediately, and read it the moment it arrived.
Wow. So different, so quiet, and so, so good.
I've read plenty of reviews that disparage the book (usually because they felt the plot was thin or easily deduced, or because the narration was too simple or unrelatable), but I enjoyed the hell out of it. I was surprised when reveals came, I was drawn into the narration and worldbuilding, and I found the narrator endearing, if a bit alien in perspective. It even holds up to rereads!
All told, I found it delightful, and hopefully you will/have too!
I didn't know what to expect coming into this and I firmly recommend trying to go in with as little knowledge as you possibly can. The unfolding that occurs throughout the narrative was the payoff, the end just another event along a wave of experience.
A library book that has inevitably made it to my own collection, amongst the shelf of favorites that are destined to be reread over and over again.
Splendid tale, in a symbolic setting which is strikingly and evocatively minimal.
4 étoiles
Avertissement sur le contenu
Minor spoiler, which reveals a mid-book event which is very different in setting than the consistency of the opening chapters might suggest.
I really enjoyed this. I was captured by the reliable hook of an initially confounding fantastic or symbolic setting, gradually made comprehensible as information is revealed and the reader acclimatizes to the concepts in play. The infinite architectures of The House reminds me of the similarly spectacular House of Leaves, or the YouTube Backrooms phenomenon. It makes me want to revisit the symbolic locations of Banks "The Bridge". It reminds me of deeply evocative late nights, lost in endless videogame worlds.
About 2/3 of the way through, I caught a reference as a character is using childhood memories as part of a ritual to reopen a doorway to a lost world, from the rose garden of his childhood home. As potential doorways begin appearing, he notes "The color of the roses was supernaturally bright."
This is no doubt a deliberate reference to Aldus Huxley's "Doors of Perception" (bookwyrm.social/book/168195/s/the-doors-of-perception-and-heaven-and-hell-perennial-classics), a trip report on the opening of said doors during the psychedelic experience of mescaline, in which repeated reference is made to a supernaturally bright and vivid vase of flowers, "shining with their own inner light and all but quivering under the pressure of the significance with which they were charged".
This is one of those books that's unlike any other. It's surreal and dreamy and the sheer "what the heck's going on?" factor compelled me to read it all in one day.
A novel like this - light on plot, with an extremely limited cast of characters, told in an epistolary style - really sinks or swims on the narrative voice. Luckily the titular Piranesi is fun to read, and comes across as practical and clever, curious and sweet. His ignorance is charming rather than frustrating, and of course his naivete is all part of the mystery.
Highly recommended to anyone who loves an atmospheric and/or experimental story.
I really enjoyed the book, the smaller world that the protagonist lives in is very simple and is intriguing, but not somewhere I feel I need to return to. The larger universe though is interesting, with its reality plus a little magic vibe.
I enjoyed the unravelling mystery and it compelled me to read it much faster than I've read books of similar size.
The first few chapters describing the House reminded me of the descriptions of The Sleeper Service in Iain M Banks' book Excession. To the point where I thought the book was going to go in a sci-fi direction.
I found this book a bit slow for the first 50–60 pages, which are spent mostly describing the World without much of any sort of Plot happening. It only really begins to pick up around Part 3, when the mystery inherent to the setting starts to unravel, all through the eyes of a narrator not so much unreliable as naïve and lacking in knowledge, which makes him unable to understand things which are clear to the reader. It's the sort of book where it's worth reading (or at least skimming) the first few parts again to see what you missed the first read through.
If we were born in another world what form would the shadows cast upon the walls of our cave take? What mythologies and art would inform our identity? What are the limits that malicious people have to do harm through warping and confining our realities? How does the society around me shape the person I am at any given time?
Piranesi explores these questions in a labyrinth of an endless house full of statues that is flooded by the sea. The answers are in the faces of our neighbors and in the hushing pose of the faun.
