Professor Arton Daghdev has always wanted to study alien life in person. But when his political activism sees him exiled to the planet Kiln, condemned to work under an unfamiliar sky until he dies, his idealistic wish becomes a terrible reality.
Kiln boasts a ravenous, chaotic ecosystem. Its monstrous alien life means Arton will risk death on a daily basis – if the camp’s oppressive regime doesn’t kill him first. But, if he survives, Kiln’s lost civilization holds a wondrous, terrible secret. It will redefine life and intelligence as he knows it – and might just set him free.
I think I find a jocular first person narrative really irritating. I wish Adrian Tchaikovsky would write fewer books but make them all as good as children of time (not the sequels).
This is now my favorite Adrian Tchaikovsky book. The writing is grippy, the narrator is wry, and I love the way the plotlines of revolution against authoritarianism and academic exploration of alien biology intertwine with each other.
Some extremely minor asides that I appreciated:
The narrator is quite funny and I appreciate the way he sometimes deceives the reader; there are several scenes where you get the surface level view of the scene and then find out shortly afterwards that he's also doing something furtive simultaneously.
I love that the authoritarianism is all about black and white binaries, and the book casually infers that one of the characters fell into political disfavor because they are some flavor of non-binary (without using that word, thank goodness).
This is also somehow the second academic adjacent alien book that I've read recently, with James SA Corey's The Mercy of Gods being the other. …
This is now my favorite Adrian Tchaikovsky book. The writing is grippy, the narrator is wry, and I love the way the plotlines of revolution against authoritarianism and academic exploration of alien biology intertwine with each other.
Some extremely minor asides that I appreciated:
The narrator is quite funny and I appreciate the way he sometimes deceives the reader; there are several scenes where you get the surface level view of the scene and then find out shortly afterwards that he's also doing something furtive simultaneously.
I love that the authoritarianism is all about black and white binaries, and the book casually infers that one of the characters fell into political disfavor because they are some flavor of non-binary (without using that word, thank goodness).
This is also somehow the second academic adjacent alien book that I've read recently, with James SA Corey's The Mercy of Gods being the other. The power dynamic contexts are different enough that they end up taking different collaborator vs revolutionary approaches.
